What starts out as an all-female beach rock type song, gets progressively fuzzier and the punch gets dialed up. You can really feel the potential of ‘Deers’ to make music that stirs up feelings of old. We’ve seen bands like HAIM and Warpaint do this before, and I feel a lot of genuine sound lies in what Deers has put out so far. They’re a band to keep an eye on. For now, enjoy this delicious garage track.
Maybe it’s because it’s Friday and I have all sorts of weekend energy. Maybe it’s because I’m on an electronic music kick today, and I’m feeling nostalgic about my terrible dancing at shows and house parties. Either way, I miss it. So here’s a “throwback” to last year, when Luxury put out this absolute banger with the help of Disclosure. Disclosure are magicians, and this carries on the same soul that they provide in their music.
Man I miss Disclosure.
It doesn’t matter when you get in to M83, it was always too late. You immediately feel the hole that existed in your life being filled, and you wonder why it wasn’t complete earlier. M83 was and is huge for me, and every album is it’s own theme of beauty and power. Seeing them live was a magical experience.
So any chance to have them re-introduced will be taken advantage of. This remix of the “opening” song on Dead Cities, Red Seas and Lost Ghosts is fantastic. It keeps everything you love about the original and infuses it with new life. Give it a listen, get a hold of the M83 discography and look up at the stars.
I’ve been a huge fan of Jessie James and Rejjie Snow since their work together on “Meddling Loops” and Rejjie’s “Rejovich” album (which , might I add has a hilarious cover worth looking up.) Anyway. Rejjie’s got some new work creeping up here soon and I’ve been anticipating it very patiently. Great hip hop from a remarkable group of artists. These guys are worth paying attention to if you haven’t been already.
Harrymania2 just brought a relatively unknown song in to the spotlight and I’m very happy for it. Never Let Me Down is a potent blend between M83 and Sigur Ros. It’s strikingly different from the rest of SOS’s work, which I’m not entirely fond of. But when SOS wants to be beautiful, they do it effortlessly. This is a great example of that.
Just a true gem that is turned up a little late.
We’re through two waves of the band reveal for Halifax Pop Explosion, and from what I’ve heard from those around me the feeling is a bit lackluster. Hype isn’t through the roof yet, in fact hype has faded quietly. Sure, we have huge names from Rap, both old and new in Danny Brown, Ghostface and Raekwon that will be must see on name alone. But beyond that things just kind of seem to trail off. But the mistake would be under-estimating what is inside this lineup. There’s a lot of obscure bands in there. But last year, bands like Seoul, Tops and Young Galaxy were just names to me too. Now they are intense and pleasurable memories that will stick with me forever. So what we’re gonna do right here, or what I’m gonna do, is try and point out some of the promising acts so far. When the full lineup is out, and the schedule released, Shea and I will do our full Pop Explosion preview again. We’ll know more about the bands and about ourselves.
A stand-out act from HPX 2013. They played before Killer Mike and definitely made sure the crowd was running on nothing but pure adrenaline before he could take over the stage. (And take over he did, I’ve never seen any individual bring so much energy to a show and love the crowd so much). If you saw BBNG last year, then it’s probably a guarantee you’ll see them again. I don’t know if I had a happier moment in October than their cover of Bugg’n. They killed it. If you want to see a couple of guys bring nothing but pure energy to the stage doing relentlessly powerful Hip-Hop covers and originals then BBNG is just right for you.
I wouldn’t be much of an Interpol fan if I didn’t post the second released song from Interpol’s upcoming album ‘El Pintor’.
But this track isn’t being posted in the same spirit as ‘All the Rage Back Home’. AtRBH had a quality about it that forced me to replay it over and over again to soak up everything I loved about Interpol. It was back in full force, all the sounds and all the feelings that were brought on in the early albums. ‘Ancient Ways’ however doesn’t have the same clarity. It’s a bit muddled together, all the instruments just making noise. Paul Banks voice still calls to us, and holds everything together, but the up and downs of a usual Interpol song are gone. Still, even at less than their best, they still give me something to listen to.
So fear not, because you can always soak up this “semi-live” performance of another new track, ‘Anywhere’ which is just tasty as all hell. Interpol is coming back. It’s going to be great.
Shea is a boi on the road, on to a new adventure for a year. While furniture is packed, cats are wrangled and Volkswagon Golf’s are filled, Gord is in charge of the content posting. Soon enough we’ll hear from Shea when he’s settled in. Until then I’m posting on his behalf, although I can’t say it’s as much on his behalf as I also enjoy the throwback sounds in any SNAKEHIPS songs. But Shea loves them, preaches their musical prowess, and they’ve seen plenty of play on Jzt2Boiz. This one is a banger. Enjoy it.
I could say I’m posting this song for Shea, as he cannot connect to the world wide web. I could also say I’m posting it for me, as my ears perked up as soon as he put it on.
PLOY wasn’t an unknown band to me. I fell for the song’s Fool, Gold and Anywhere over a year ago, but I forgot to hit ‘Follow’ and I never posted them to the boiz. I’d since forgotten about them, but good bands rise up again and again and are hard to ignore. Go do what I didn’t do, hit ‘Follow’ on their soundcloud page and be treated to some summer sunshine songs that glow so bright.